Avoiding Blown Highlights

Photographers are always dealing with the problem of blown highlights. Professional shooter, Jim Zuckerman, takes you to New England to work on this problem.

Jim finds a crumbling stone wall in rural New England. When he sets up his camera, he encounters patches of sunlight. He explains, “If you have a shaded subject and a sunny background, your image won’t work.” Jim shows you how to crop out overexposed highlights and keep your exposure in the range of middle tones by monitoring the LCD readout to control patchy sunlight.

Join pro photographer, Jim Zuckerman, in New England’s fall foliage as he shows you tips on dealing with blown highlights.

MORE IN THIS COURSE:

New England Color: Field Techniques for Great Pictures – Course Preview
Sunrise Photography Exposure
Using Leading Lines in Your Shot
Photographing using the Classic Landscape Technique
Capturing your Shot in the Morning Light
One Final Shot at Portland Head Light
Capturing Color in Your Photography
Photography Outdoor Lighting Tips for Mid-Day Light
Image Composition: Frame with Color
Focusing on Image Composition
Photo Composition Tips for Shooting Fall Colors
Shooting a Pond Using Reflections Photography
Photography Perspective Tips
Lens Flare Photography
High Contrast Lighting While Shooting Outside
Photo Composition Tips for Shooting Outdoors
Backlighting Tips
Photographing Detail Close up in Landscapes
Avoiding Blown Highlights
Using Symmetry in Photography for Great Outdoor Shots
Using a Telephoto Lens to Capture Compression Images
Patchy Light in Outdoor Photography
Finding Soft Light in Outdoor Photography
Using a Fisheye Lens to Capture Fall’s Beautiful Trees
Photographing Iconic Cape Neddick Lighthouse